From the Sahara to Samarkand
Selected Travel Writings of Rosita Forbes, 1919-1937
Edited with an Introduction by Margaret Bald

From:
1919
Between Two Armies in China
From Chapters XV and XVI of Unconducted Wanderers (1919)
Southern China
Canton, strangest City in all the world, held us with her lure of wealth and pain, mystery and colour. Once across the canal, which separates the foreign concession, with its neat green lawns and white square houses, from the teeming, age-old native town crushed in between grey crumbling walls, one leaves behind the matter-of-fact atmosphere of the twentieth century, and plunges into scenes that can have changed very little since the days of the Tartar siege.
Down from the wide arcades one steps through a tall gateway into a maze of narrow cobbled streets lined with silent shuttered houses. A Chinese house always has an air of aloof reserve, because it has no windows, and generally a little wall is built across the door, a few feet away from it, to keep out the evil spirits, which can only move in a straight line, and are unable, therefore, to twist round behind the protecting wall!
Canton streets are so narrow that only one sedan-chair can pass through at a time, and even then, in the busy markets, one’s elbows brush bundles of embroidered shoes or strings of fat roasted duck. Above one’s head the dark eaves of the houses almost meet, strips of gay-coloured silk shut out the sun. Carved and gilded dragons adorn the projecting beams of the houses. Scarlet lacquer vies with golden scrolls in profuse adornment of the shops, which are all open to the mellow gloom, and hung with great orange lanterns. Every shop looks like a richly-carved temple, and when one does come suddenly upon a great shrine, guarded by rows of great stone beasts, one is almost disappointed because art can do no more. All the wealth of colour and design has been lavished in the long streets of the silk stores and the jade-merchants, in the market of the singing birds, and even in that dim alley, where the coffin-makers hammer all day at the vast ungainly tree-trunks that the Chinamen buy long before their deaths, and guard jealously in their houses.
Within the great walls of the old city several millions lead their crowded lives, every type of human being jostles his way through the maze of streets: rich merchants sway giddily in cushioned chairs above a pulsating, shouting sea of humanity; fragile pink and white dolls totter on tiny feet leaning on the arm of a silk-clad amah; the golden-robed lama from Thibet pushes aside the beggar, whose sores gleam through indescribable tatters; the pale scholar lifts his long silk coat-tails out of the mire, and the neat black-robed housewife, with dangling jade ear-rings, is elbowed by clamorous coolies monotonously calling, “Hoya, hoya!” as they trot through the dense crowds swinging their burdens from stout poles.
All the spices of the world mingle with the smell of oil and hot humanity; all the colour of the world flows down from the open shop fronts in store of oranges and golden shaddock, in wealth of gorgeous embroidery, in fantastic shapes of jade and crystal, even in massed scarlet cakes and saffron macaroni; all the disease and suffering of the world looks out from under the matted hair of lepers, or from the kohl-darkened eyes of child-women.
It is strange how one can sometimes see the spirits of cities. Bangkok is a dancing girl, shaking a chime of golden bells from her fluttering skirts, dropping perfume from her henna-stained finger-tips; Macao is haunted by the click of high heels, the gleam of dark eyes and a tortoiseshell comb under a dark mantilla, a wistful spirit dragging tired feet through silent deserted streets; but the genius of Canton is something primaeval, fierce and grasping, hiding raw wounds under gorgeous silk, clutching at knowledge and wealth behind a veil that is never lifted.
*****
From Chin-Chow
Chin-Chow, our destination on the Sian river, was in a panic. We came one morning into deserted shuttered streets, and had difficulty in finding an inn at all. Finally we turned two horn-spectacled scholars out of an upper room, looking over the river to a nine-storied pagoda throned high above the town, and modestly furnished with two beds made of boards and covered with thin straw mats. There we fed gorgeously on strange green soup in which floated all sorts of edibles, from macaroni to snails and fishes’ fins, while we watched the hospital boats poling up the river, flying lots of small white flags.
The streets were full of wounded, who lay even upon the temple steps. Flags of the various generals hung in front of the biggest houses. The town had been looted for food and all the shops were shut. Tales of disaster were in the air and rumours of a battle three miles off. Every boat and every chair had been seized for the troops. The last magistrate had fled, because the Southern General had sent in a sudden demand for 30,000 dollars to pay his troops, and his successor of three days was preparing to follow his example, after having beheaded five men in the main street and forgotten to remove the debris.
Some very gallant American missionaries had turned their school, just outside the town, into a hospital, and were struggling with a couple of hundred wounded where they had beds for fifty. They worked in peril of their lives, for the Southerners had massacred the Northern wounded after a recent success, and the North had vowed revenge on the first hospital it captured. The doctor took us all over the hospital where the toy soldiers lay with their rifles under their heads and looks of sullen, mute endurance. Some of them had walked in miles with appalling abdominal wounds, and yet there were very few deaths. The instant a patient was in extremis the orderlies hustled him out into the veranda for fear of his spirit haunting the house. Nearly always, a Chinese is put in the coffin before he is dead, and the instant the last breath is gone the lid is shut down, so that the spirit may not escape and haunt the family.
Sometimes, when this precaution is not taken search has to be made for the spirit with wailing and calling. I’ve heard these cries at night by the river bank after a battle, and it is the most weird, unearthly sound—a long, rising “Kii-ii-rie” that makes one shiver and forget one lives in an electric-lighted, steam-heated age! Often they take the clothes of the dead person and go out searching for his spirit; if they see a little gust of wind whirling some dust into the air, or a dead leaf blown suddenly against a wall, they fling the clothes on top of it and believe they have caught the wandering ghost. One day in Chin-Chow we watched the funeral of a soldier. The immense coffin—a complete tree trunk, painted scarlet at the ends—was borne by some thirty mourners, who danced and shouted, jerked and bumped their burden, waved rattles, and let off fireworks—all this noise to frighten away evil spirits. Theirs is a religion of fear, it seems.
The Confucian code of ethics is little known among the peasants and only a very degraded form of Buddhism is practised. The propitiation of a multitude of spirits and the veneration of their ancestors alone occupies their minds. I was reading an old book of Chinese law once, and I discovered that the penalty for striking an elder brother was strangling; for a woman who struck her husband it was beheading; for killing a husband or father it was “slow death,” which I presume means the death by a thousand cuts. A story that illustrates the extent to which the Chinese carry their veneration of their parents is told in the life of the Emperor Li’. He succeeded to the throne as a child, and his mother, the Empress-Regent, during her son’s absence from the capital, killed his half-brother, the child of the former Emperor’s favourite, and had the woman herself so tortured and maimed that she resembled nothing human, and could only drag herself on the ground. The boy Emperor, returning to his palace, saw the pitiful spectacle, and exclaimed impulsively, “My mother has done wrong!” All the contemporary historians recount this episode, and all of them blame, not the Empress for her cruelty, but the Emperor for criticizing his mother.
*****
